The columns support the pediment strongly object on which to recline the other two angels. All the altar and 'stucco in different colors very well tuned and looks harmonious and well-dosed in its varied architecture. The second altar on the right as you enter, and 'the most' complete 'cause' also has three candlesticks raised to where you put the tabernacle. It bears the date 1705. And it 'called by the parishioners' altar the souls' to the symbolism represented in inlay of the frontal central oval where you can see an angel frees the souls in purgatory; around it you can see swirls and flowers and four skulls surmounted respectively by a royal crown from a papal tiara, the cardinal's hat, and the bishop's miter,
as if to remind the viewer that death equalizes all men and that things are vain honors and power.
On the left wall of this altar and 'inserted in a frame of recent invoice, a door of the sixteenth century panels elegantly sculpted into a harmonious composition. The third altar in the same style and 'the Madonna of the Rosary. And 'the less complete because' lacks the third shelf and the Tabernacle. The date and 'been removed in some restoration. In the space behind this altar,
almost in the center of the chapel of N.S. Lourdes is inserted into the floor the tomb of the then provost Don Giuseppe Pagliassa plate on which is written:
DON PAGLIASSA GIUSEPPE
1764
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